{"id":9564,"date":"2023-03-25T16:05:09","date_gmt":"2023-03-25T16:05:09","guid":{"rendered":"https:\/\/www.sergiomonterisi.it\/?page_id=9564"},"modified":"2024-03-14T17:53:38","modified_gmt":"2024-03-14T17:53:38","slug":"compositeur","status":"publish","type":"page","link":"https:\/\/www.sergiomonterisi.it\/en\/compositeur\/","title":{"rendered":"COMPOSITEUR"},"content":{"rendered":"<div class=\"mkdf-row-grid-section-wrapper mkdf-content-aligment-center\"  ><div class=\"mkdf-row-grid-section\"><div class=\"vc_row wpb_row vc_row-fluid vc_custom_1549443045615\" ><div class=\"wpb_column vc_column_container vc_col-sm-10 vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10 vc_col-sm-offset-1\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"mkdf-elements-holder   mkdf-one-column  mkdf-responsive-mode-768\" ><div class=\"mkdf-eh-item\"  data-item-class=\"mkdf-eh-custom-8162\" data-1024-1366=\"0 68px\" data-768-1024=\"0 35px\" data-680-768=\"0 35px\" data-680=\"0 0 0 0\">\n\t<div class=\"mkdf-eh-item-inner\">\n\t\t<div class=\"mkdf-eh-item-content mkdf-eh-custom-8162\" style=\"padding: 0 70px\">\n\t\t\t\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5 style=\"text-align: left;\"><strong>Composer<\/strong><\/h5>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-9519 size-medium\" src=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-200x300.jpg\" alt=\"Sergio Monterisi\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-200x300.jpg 200w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-683x1024.jpg 683w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-768x1152.jpg 768w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-1024x1536.jpg 1024w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-1365x2048.jpg 1365w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/sergio_monterisi_Page_2-scaled.jpg 1707w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Sergio Monterisi a effectu\u00e9 ses \u00e9tudes musicales au Conservatoire \u00ab N. Piccinni \u00bb de Bari, o\u00f9 il a obtenu ses dipl\u00f4mes de piano, musique vocale de chambre, musique chorale, direction de ch\u0153ur, instrumentation pour orchestre d\u2019harmonie, composition et direction d\u2019orchestre. Il obtient \u00e9galement une ma\u00eetrise en Lettres Modernes dans l&rsquo;Universit\u00e9 de sa ville. Il a \u00e9t\u00e9 l\u2019\u00e9l\u00e8ve et l\u2019assistant du compositeur et chef d\u2019orchestre Nicola Scardicchio, qui l&rsquo;encourage \u00e0 se consacrer \u00e0 la composition. Dans la lign\u00e9e de la tradition italienne et de l&rsquo;enseignement de Nino Rota, \u00e9cole \u00e0 laquelle il appartient, et avec une sensibilit\u00e9 proche des compositeurs fran\u00e7ais du XX\u00e8me si\u00e8cle, il est l&rsquo;auteur d&rsquo;une vaste production de morceaux pour piano seul (Sonatine, Variations aphoristiques), de musique vocale (F\u00eates galantes, Il Viaggio), chorale (Kyrie, Credo di Perugia), de chambre (Tre scene pour violon, clarinette et piano, Canti di rabbia e d&rsquo;amore pour voix et violon) et symphonique, jou\u00e9es en Italie et \u00e0 l&rsquo;\u00e9tranger. Sa musique se nourrit d&rsquo;une f\u00e9conde communication avec le public et accorde une importance pr\u00e9dominante \u00e0 l&rsquo;investigation des subtiles significations de la parole chant\u00e9e.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9523 alignright\" src=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/DSC_6949-300x200.jpg\" alt=\"Sergio Monterisi\" width=\"300\" height=\"200\" srcset=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/DSC_6949-300x200.jpg 300w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/DSC_6949-1024x681.jpg 1024w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/DSC_6949-768x511.jpg 768w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/DSC_6949-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\" class=\" translation-block\">In 2005 he conducted in Italy his children opera Il Gigante Egoista, which in the French version is included for two seasons (2008-09 and 2009-10) in the Nice Opera program. In 2012 he obtained the First Prize and the Prize of the Popular Jury of the International Composition Competition \"Terra di Puglia\" for his \"Concerto a 11\" for piano and 10 instruments, which he conducted in world premi\u00e8re in Bari the same year and published by Florestano Edizioni. His opera Schicchi e Puccini - A prologue to Schicchi (Edizioni Wicky Music) was the winner of the first International Composition Competition \"Opera Nuova 2013\" and made its debut in the opera season of the Teatro Municipale of Piacenza in May 2014 (resumed at the Teatro Savoia in Campobasso in the same year).\nIn December 2015 he was invited by the Gubernatorsky Orchestra of Saint Petersburg for a concert of 21st century Italian music in which his symphonic poem The Legend of St. Nicholas was performed and two arias from the new opera Fantasmi all'opera on a libretto by Magali Thomas. In October 2016 he conducted the first performance of Africa in Campobasso, a musical show for voice and percussions inspired by the production of the poets of N\u00e9gritude; the show was then resumed in Gambatesa in June 2017 on the occasion of the World Refugee Day, with the participation of a chorus of migrants.\nIn 2016 he founded with Magali Thomas El Sistema France-Op\u00e9ra M\u00e9diterran\u00e9e, the first section of the international network of El Sistema (the largest project in the world of social inclusion through music) entirely dedicated to opera. Since then he has dedicated himself continuously to the composition of works that allow children a direct approach to opera as protagonists.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-23 alignleft\" src=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan-300x147.jpg\" alt=\"sergio monterisi - peter pan\" width=\"300\" height=\"147\" srcset=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan-300x147.jpg 300w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan-1024x501.jpg 1024w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan-768x376.jpg 768w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan-1536x752.jpg 1536w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/01\/peterpan.jpg 1920w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p style=\"text-align: left;\">En f\u00e9vrier 2017 il dirige au Palais des Festival de Cannes, \u00e0 la t\u00eate de l\u2019Orchestre de Cannes, l\u2019avant-premi\u00e8re de son op\u00e9ra trans-m\u00e9dia Peter Pan avec la mise en sc\u00e8ne de Magali Thomas (cr\u00e9\u00e9 en 2019 \u00e0 l\u2019Op\u00e9ra de Nice dans le cadre du projet europ\u00e9en MEDITES port\u00e9 par l&rsquo;Universit\u00e9 Nice-C\u00f4te d&rsquo;Azur en collaboration avec l&rsquo;Orquesta Gera\u00e7ao d&rsquo;El Sistema Portugal et repris au Th\u00e9\u00e2tre de l\u2019Esplanade de Draguignan avec l&rsquo;Orchestre de l&rsquo;Op\u00e9ra de Toulon). Peter Pan, projet qui met au centre de la cr\u00e9ation les enfants de quartiers en difficult\u00e9, est finaliste du Prix de l\u2019enseignement musical de la Chambre des Editeurs Musicaux de France.<br \/>\nEn 2018, il r\u00e9orchestre et r\u00e9alise une nouvelle version fran\u00e7aise de Le G\u00e9ant \u00c9go\u00efste au Th\u00e9\u00e2tre Miramar de Cannes (qui sera traduite en espagnol et jou\u00e9e dans une nouvelle production \u00e0 l&rsquo;Auditorio del Sodre de Montevideo &#8211; Uruguay &#8211; en 2021).<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9521 alignright\" src=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/foto-circo-2-252x300.jpg\" alt=\"Sergio Monterisi\" width=\"252\" height=\"300\" srcset=\"https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/foto-circo-2-252x300.jpg 252w, https:\/\/www.sergiomonterisi.it\/wp-content\/uploads\/2023\/02\/foto-circo-2.jpg 625w\" sizes=\"auto, (max-width: 252px) 100vw, 252px\" \/><\/p>\n<p style=\"text-align: left;\" class=\" translation-block\">As part of the 2020-21 season of the Nice Opera, he creates the participatory opera Circo!; the success of the project leads to the programming in the following season of the participatory opera Babel, also created in Nice with the contribution of the images of the great environmental photographer and director Yann Arthus-Bertrand.\nThe close collaboration with the librettist and director Magali Thomas is also pursued in other areas: from the completion of the opera Fantasmi all'opera, to the conception of the lyric series Divines, an original format of chamber opera \"in series\", of which he writes the first episodes.\nIn August 2017 his song Cumm 'a mureje won the Critics Award at the Molise dialect song festival, while in October he conducted the first performance of his Concerto della Fenice for bassoon and strings in the auditorium of the Mus\u00e9e Chagall in Nice, in the program of the Festival \u201cMusiques d'aujourd'hui \u00e0 demain\u201d, with the soloists of the Orchestre Philharmonique de Nice. In 2021 he wrote the symphonic suite Un jour de f\u00eate for the various wind ensembles of the Valbonne Conservatory and for the Nice Opera season, C\u00e9l\u00e9bration - Une messe pour le XXI\u00e8me si\u00e8cle for children choir, mixed choir, percussions and piano.<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<div class=\"vc_empty_space\"   style=\"height: 31px\"><span class=\"vc_empty_space_inner\"><\/span><\/div>\n\t<div class=\"wpb_text_column wpb_content_element\" >\n\t\t<div class=\"wpb_wrapper\">\n\t\t\t<h5 style=\"text-align: center;\"><strong>Compositions<\/strong><\/h5>\n<h6 style=\"text-align: left;\"><strong>Operas and musical shows<\/strong><\/h6>\n<p style=\"text-align: left;\" class=\" translation-block\">Il Gigante Egoista, favola in musica (Bitonto, Chiesa di S.Domenico, 2005)<br>Le G\u00e9ant Egoiste, French versione  (Nice Opera, 2009-2010)<br>Due scene dal \"Torquato Tasso\" di Goethe (2010)<br>Schicchi e Puccini - Un prologo a Schicchi, opera in one act on a libretto by Flavio Ambrosini (Teatro Municipale di Piacenza, Teatro Savoia di Campobasso, 2014)<a href=\"https:\/\/youtu.be\/Iki9LpgRwog\" target=\"_self\"><span style=\"color: #000000\"><strong>VIDEO<\/strong><\/span><\/a><br>\"Fantasmi all'opera\", opera in one act \u2013 in progress <a href=\"https:\/\/youtu.be\/o4s7FT8Z1Ao\" target=\"_self\"><strong>VIDEO<\/strong><\/a><br>Africa, musical show for voice and two percussions (Campobasso, Auditorium ex-GIL, 11\/10\/16; Gambatesa, World Refugee Day, 25\/06\/17)<br>Peter Pan, trans-medial opera, libretto by Sergio Monterisi, French libretto by Magali Thomas (avant-premi\u00e8re: Cannes, Palais des Festivals et des Congr\u00e8s, 25\/02\/17 ; premi\u00e8re : Opera di Nizza, 11\/02\/19 ; Draguignan, Th\u00e9\u00e2tre de l'Esplanade, 11\/05\/19)<br>Le G\u00e9ant Ego\u00efste, new French version, libretto by Magali Thomas (Cannes, Th\u00e9\u00e2tre Miramar, 1\/07\/2018)<br>Le violon d\u2019Orph\u00e9e, opera for young singers \u2013 in progress (2018)<br>Divines, lyric series \u2013 S.1, E.1 : Vingt heures !<br>Divines, lyric series \u2013 S.1, E.2 : Le temps est venu<br>CIRCO ! - opera on a circus ring, libretto by Magali Thomas (Nice Opera, 9-10-11\/06\/2021)<br>El Gigante Ego\u00efsta, Spanish version (Auditorio del Sodre, Montevideo, agosto 2021)<br>BABEL \u2013 participatory opera, libretto di Magali Thomas (Nice Opera, 21-30\/06\/2022)<br><\/p>\n<h6 style=\"text-align: left;\"><strong>SYMPHONIC MUSIC<\/strong><\/h6>\n<p style=\"text-align: left;\">Angelus, oratorio sur texte de T.S.Eliot pour soli, ch\u0153ur et orchestre (1999)<br \/>\nCanzone pour voix et orchestre sur texte de Alfonso Palieri (Bitonto, Chiesa di S.Francesco, 2001)<br \/>\nIl volo di notte su Londra, Interlude pour \u201cPeter Pan\u201d (2009)<br \/>\nPeter Pan, suite symphonique (Bari, Campobasso, 2013)<br \/>\nLa Leggenda di San Nicola, po\u00e8me symphonique (St.P\u00e9tersbourg, 16\/12\/2015) <a href=\"https:\/\/youtu.be\/DwlUOIwUkZI?t=41\"><strong>VIDEO<\/strong><\/a><br \/>\nDeux airs extraits de l&rsquo;op\u00e9ra \u00ab\u00a0Fantasmi all&rsquo;opera\u00a0\u00bb: \u00ab\u00a0Vado via!\u00a0\u00bb et \u00ab\u00a0Grands boulevards\u00a0\u00bb (S.P\u00e9tersbourg, 16\/12\/2015)<br \/>\nConcerto della Fenice pour basson et cordes (Nice, Festival Musiques d&rsquo;Aujourd&rsquo;hui \u00e0 demain, 09\/10\/2017) <a href=\"https:\/\/youtu.be\/Iki9LpgRwog\"><strong>VIDEO<\/strong><\/a><br \/>\nUn jour de f\u00eate, suite pour ensembles d&rsquo;harmonie (commande du Conservatoire de Musique de Valbonne, 2021)<\/p>\n<h6 style=\"text-align: left;\"><strong>CHORAL MUSIC<\/strong><\/h6>\n<p style=\"text-align: left;\">Odi et Amo pour ch\u0153ur \u00e0 cappella (1990)<br \/>\nFantasia salinara pour violon, fl\u00fbte, trompette, piano et ch\u0153ur (Margherita di Savoia, juin 1996)<br \/>\nVeni, Sancte Spiritus pour ch\u0153ur \u00e0 cappella (Trinitapoli, juin1996)<br \/>\nKyrie pour ch\u0153ur \u00e0 cappella (1998)<br \/>\nSuavis virtus, pour ch\u0153ur et piano (Bari, novembre 2001)<br \/>\nCredo pour ch\u0153ur \u00e0 cappella (2012)<br \/>\nMare nostrum, Hymne d\u2019El Sistema Op\u00e9ra M\u00e9diterran\u00e9e (Cannes, 2018)<br \/>\nBienvenue (Cannes, 2019)<br \/>\nC\u00e9l\u00e9bration, une messe pour le XXI\u00e8me si\u00e8cle, pour ch\u0153ur d&rsquo;enfants, ch\u0153ur mixte, deux percussions et piano (Op\u00e9ra de Nice, 20\/12\/2021)<\/p>\n<h6 style=\"text-align: left;\"><strong>INSTRUMENTAL MUSIC<\/strong><\/h6>\n<p style=\"text-align: left;\">Breve risposta alla \u201cSonatina d\u2019inverno\u201d pour piano (1990)<br \/>\nIn bianco e nero pour violon et piano (Bari, 1993)<br \/>\nSuite pour clavecin : Preludio &#8211; Recitativo e Pavana &#8211; Corrente (Bari, Auditorium Vallisa,1996)<br \/>\nFughetta a tre soggetti sur \u00ab Signor Abbate \u00bb de L.van Beethoven pour orgue (Barletta, Cattedrale,1996)<br \/>\nTre Scene pour violon, clarinette en La et piano (Spoleto, 1999)<br \/>\nTre pezzi da \u201cIl Gigante Egoista\u201d pour trombone et piano (2005)<br \/>\nPartita pour violon solo: Toccata (2007)<br \/>\nCantilena pour violon solo (2007)<br \/>\nCantilena pour violon et piano (2007)<br \/>\nMusiche per Elisarion: Passi nel bosco (cl. solo) &#8211; Danza attica (fl., cl.) (2009)<br \/>\nSonatine pour piano (2010) <a href=\"https:\/\/youtu.be\/z3nJwKkJl1M\"><strong>VIDEO<\/strong><\/a><br \/>\nVariations aphoristiques su un tema originale di Siciliana pour piano (2011) <a href=\"https:\/\/youtu.be\/OKTORHPGxkE\"><strong>VIDEO<\/strong><\/a><br \/>\nConcerto \u00e0 11 pour piano et 10 instruments (Bari, Chiesa di S.Teresa dei Maschi, 2012)<br \/>\nLa Leggenda di San Nicola pour orgue (Campobasso, 2018)<\/p>\n<h6 style=\"text-align: left;\"><strong>VOCAL MUSIC<\/strong><\/h6>\n<p style=\"text-align: left;\">La vie ant\u00e9rieure pour chant et piano (1992)<br \/>\nZingari in viaggio pour chant et piano (1992)<br \/>\nNinna-nanna: Scite, puer\u2026 pour chant et piano (1992)<br \/>\nVerani, &#8230; pour chant et piano (1994)<br \/>\nTo a Stranger pour chant et piano (1995)<br \/>\nI Limoni pour chant et piano (Bari, Auditorium Vallisa, 1995)<br \/>\nF\u00eates Galantes pour 2 voix et piano: Clair de Lune &#8211; En Bateau &#8211; Pantomime (Bari, Auditorium Valisa,1996)<br \/>\nF\u00eates Galantes pour 2 voix et 7 instruments : Clair de Lune &#8211; En Bateau \u2013 Pantomime &#8211; Le Faune &#8211; Colloque Sentimental (Bari, Auditorium Vallisa,1996)<br \/>\nIl Viaggio pour chant, r\u00e9citant et 7 instruments: Zingari in Viaggio &#8211; Ninna-nanna \u2013 Verani, &#8211; To a Stranger &#8211; Alante (Trani,1997)<br \/>\nDue arie antiche sur des po\u00e8mes de Giordano Bruno pour chant et piano: \u201cBen ch\u2019a tanti\u2026\u201d &#8211; \u201cQuel Dio\u2026\u201d (Bari, Auditorium Vallisa, 2001) <a href=\"https:\/\/youtu.be\/n5uinYmj3tU\"><strong>VIDEO<\/strong><\/a><br \/>\nCanti di rabbia e di amore pour chant et violon: \u201cCostui che il volgo errante\u2026\u201d \u2013 \u201cFammi quanto dispetto\u2026\u201d \u2013 \u201cAllor che morte\u2026\u201d \u2013 \u201cIo benedisco ogni benigna stella\u201d- \u201cChe maraviglia\u201d \u2013 I\u2019 ti ringrazio, Amore (2006-2007) <a href=\"https:\/\/youtu.be\/4fWL8M5rVaE\"><strong>VIDEO<\/strong><\/a><br \/>\nVoi ch\u2019ascoltate pour chant et piano (2008)<br \/>\nHo tanta fede in te, chanson sur un po\u00e8me de E.Montale (2009)<br \/>\nSalmo CXVIII \u201cHE\u201d pour chant et piano (2009)<br \/>\nL&rsquo;assenza pour chant et piano, su testo di G.Gozzano (2010)<br \/>\nIl girasole, chanson sur un po\u00e8me de E.Montale (2011)<br \/>\nDue canti pour chant, cor et piano: \u00ab\u00a0Non temere&#8230;\u00a0\u00bb et \u00ab\u00a0Sicut cervus\u00a0\u00bb (Oradea, 2016)<br \/>\nComm&rsquo;a mureje, chanson sur un texte de Luca D&rsquo;Alessandro (Gambatesa, 13\/08\/2017)<br \/>\nStill I rise, gospel sur un po\u00e8me de Maya Angelou (Nice, 01\/11\/2018)<br \/>\nLoin de moi, chanson (2020)<\/p>\n<h6 style=\"text-align: left;\"><strong>FILM MUSIC<\/strong><\/h6>\n<p style=\"text-align: left;\">Sonatine, musique pour le court-m\u00e9trage de Magali Thomas (2012)<br \/>\nArtefact, Music for a short film (2015) <a href=\"https:\/\/youtu.be\/uYnhVLmJS_k\"><strong>VIDEO<\/strong><\/a><br \/>\nHistoria, musiques pour le film de Xavier Ladjointe (2016)<br \/>\nSpleen, musique pour le film de Fabien Carrabin (2021)<\/p>\n<h6 style=\"text-align: left;\"><strong>AWARDS<\/strong><\/h6>\n<p style=\"text-align: left;\">Sonatine pour piano &#8211; Troisi\u00e8me Prix, Concours de Castellana Grotte (2010)<br \/>\nConcerto \u00e0 11 pour piano et 10 instruments &#8211; Premier prix ex \u00e6quo et Grand Prix du jury Populaire, Concours Terre di Puglia, Bari (2012)<br \/>\nSchicchi et Puccini &#8211; Premier Prix du concours international \u201cOperanuova2013\u201d \u2013 Piacenza (2013)<br \/>\nComm&rsquo;a mureje &#8211; Prix de la critique, Concours de la chanson populaire du Molise, Gambatesa (2017)<br \/>\nPeter Pan, op\u00e9ra trans-m\u00e9dia &#8211; Finaliste au Prix de l\u2019Enseignement Musical, Paris (2019)<\/p>\n<h6 style=\"text-align: left;\"><strong>MUSICAL EDITIONS<\/strong><\/h6>\n<p style=\"text-align: left;\" class=\" translation-block\">Concerto a 11 for piano and 10 instruments (Florestano Edizioni, Bari) <br>\nSchicchi e Puccini - Un prologo a Schicchi, opera in one act (Wicky Music Edizioni, Milano) <br>\nLa Leggenda di San Nicola, tune poem (Wicky Music Edizioni, Milano) <br>\nTwo arias from one act opera \"Fantasmi all'opera\": \"Vado via!\" and \"Grands boulevards\" (Wicky Music Edizioni, Milano)<\/p>\n\n\t\t<\/div>\n\t<\/div>\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"Compositeur &nbsp; Sergio Monterisi a effectu\u00e9 ses \u00e9tudes musicales au Conservatoire \u00ab N. Piccinni \u00bb de Bari, o\u00f9 il a obtenu ses dipl\u00f4mes de piano, musique vocale de chambre, musique chorale, direction de ch\u0153ur, instrumentation pour orchestre d\u2019harmonie, composition et [...]","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"footnotes":""},"class_list":["post-9564","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/pages\/9564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/comments?post=9564"}],"version-history":[{"count":22,"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/pages\/9564\/revisions"}],"predecessor-version":[{"id":9804,"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/pages\/9564\/revisions\/9804"}],"wp:attachment":[{"href":"https:\/\/www.sergiomonterisi.it\/en\/wp-json\/wp\/v2\/media?parent=9564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}